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Remember the way 24 (see here for Season 5, or here for Season 6 and here for the movie – the early good ones were too soon for this blog) changed watching tv? Realising that waiting for a week for a new episode was not a pleasant built-up of tension, but a nuisance and not the way I want to consume television? Taping shows and getting DVD boxes, preparing to binge on a couple of hours of a “real time thriller”? And apart from the format, the first couple of seasons had memorable characters: Nina Myers, the CTU director that got himself into a nuclear blast, Nina Myers, Chloe and her chubby co-worker, Nina Myers, Tony Almeida …

In a word: I did like the show, even though it became apparent during season 2 that a 24-episode run is just way too many episodes to sustain tension and a less than ridiculous plot. For the reboot of the franchise, 24 Legacy did away with this last problem and limited itself to 12 episodes, thank you! It also tried to grab as many of the previous seasons’ actors as possible and included them more or less coherently. And it introduced a new Jack Baur who – obviously – is not called Jack Baur but Eric Carter, an equally masculine name on a much more masculine guy.

This is actually a good thing in more than one way. Not only have I never considered Kiefer Sutherland to be an action hero kind of guy (I associate him mostly with things like “Flatliners”). I also just could not stand his breathless “We’re running out of time” anymore. Also, he died way too often, the wuss … Corey Hawkins seems like a decent guy, a bit vulnerable yet tough, sufficient number of family members associated with him to make for good blackmailing material if the show continues. Given the dwindling audience numbers, my guess is this will not happen, though. As an escapist diversion with evil terrorists, more evil politicians, most evil agencies and some good guys who are mostly drug dealers, it served its purpose. Network television does not have the quality of writing or production others have these days, but kudos to Fox for making the best of it.

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